London: shortlisted projects

Shortlisted:

Martin Creed

Martin Creed, London (c) Graham Jepson 2009. Graham Jepson. 2009.

Martin Creed proposes to celebrate the opening and closing of the London 2012 Olympic and Paralympic Games by asking Londoners to ring any bell they can find from bicycle bells to church bells as quickly and loudly as possible for three minutes. Creed also proposes to design a new Olympic bell, which can be sounded at the medal ceremonies during 2012 and will be replicated for future Games. The bell would be cast at Whitechapel Bell Foundry, famous for casting The Liberty Bell and Big Ben. The work will involve thousands of people, ringing bells on every street corner and welcoming the Olympiad and will be underpinned by an educational programme.
Location: London wide (including the Olympic Park and Whitechapel Bell Foundry)

Simon Elliott and Auro Foxcroft

Auro Foxcroft and Simon Elliott  . © Matthew Andrews. 2009.

Can London’s buildings feel?
 
Could the city become so charged with the Olympic spirit and sense of human excellence that the city’s architecture actually becomes animated and begins to move?
 

Artists working with community groups will interpret the tone, feel, emotions, play and actions of human excellence. Video projections will create the illusion that London’s buildings are breathing, feeling, leaning and turning. People’s feelings will move the buildings.
Breathing Humans Into Buildings will give people a unique spectacle, a fun empathising moment to remember, suitable for audiences of all ages and backgrounds.
 
We wish to bring a more complex subtle interpretation to large audiences.
The art of projected 2D image developed on 3D software, called 'Video Mapping' is moving forward.  
We have invited artists from several creative disciplines, chosen for their moving image, art installations, VJ and animation, empathy with broad audiences, subtle understanding of visual signalling, and power to “animate the inanimate”.
 
The artists are: John Waters, Pippilotti Rist, Andy Serkis, Clint Dyer, Claire Denis, Tony Oursler, Carlos Acosta, Todd Haynes, Wim Wenders, Fraser Ayres, Jenny Sealey, Clint Dyer, Barbara Cruger, Simon Elliott, Auro Foxcroft and Todd Solondz.
All share an ability to capture sensuous, visceral, enthusiastic human expressiveness for the streets of London. All engage with communities and people passing in the street across London.
 
The project will offer people a conduit to express their feelings about human excellence on a spectacular public scale. The work could be described as a “video blotting paper”- it will soak up emotions and then hang them out for all to see and respond to.
 
 

Fuel

Louise Blackwell and Kate McGrath . © Matthew Andrews. 2009.

London producing company Fuel propose to create an imaginary world on the London Underground. Fuel for the Tube will transform London tube stations and carriages into places of childhood fascination where journey becomes synonymous with adventure. Fuel will commission 12 groups of theatre makers to create installations in 12 tube carriages that appear and disappear, surprise people and linger in their memories.

Nitin Sawhney

Nitin Sawhney. Steve Gullick . London, 2008.

For Global Bedroom Orchestra, an international global orchestra of performers based in their bedrooms would perform a specially composed piece by Sawhney with a live British orchestra. The performance would be in the open air and the virtual players would be broadcast simultaneously, performing in perfect sync with the live orchestra. Based on the paradoxical theme of isolation and global connectivity, the project would challenge our perceptions of international boundaries, feature choreographed freerunners and reflect London’s multicultural communities.

The Judging Panel:

‘Bus-Tops’ proves that the Olympics will breath new life into all corners of the capital, transforming the previously unloved tops of  bus shelters into a London-wide digital canvas for artists. There is a spirit of openness and innovation about Bus-Tops, which uses new technology to enable both artists and the wider public to become involved in developing and creating art for the city. The panel is thrilled by the idea of the 'art public', and the world-first element of revealing hidden spaces for art in the heart of the city.

 

Panel Biographies:

Deborah Bull

is best known as a dancer, writer and television personality who regularly presents dance for the BBC. Deborah danced with The Royal Ballet for 20 years prior to joining the Royal Opera House as Creative Director.

Justine Simons

has worked for the Mayor of London for over 7 years and is currently Director of the Mayor's flagship public art commission of the Fourth Plinth. More recently she has taken on a lead role in development of culture within 2012 Olympic and Paralympic Games.

Lucy Neal

an independent artist producer specialising in participatory, celebratory events. She is currently Director of the Mary Neal project and Co-Chair of Transition Town Tooting. Lucy was co-founder director of the London International Festival of Theatre and is co author, with Rose Fenton, of Turning the World.

Alex Fleetwood

founder of Hide&Seek, the UK's first festival of social games and playful experiences. Alex also produces for Sandpit, a night where artists and game designers test new forms of play. As well as producing projects for Channel 4, Alex has recently been nominated for a Rose d'Or award.

Natalie Wade

has taken various board and committee positions for music and youth related projects, including the Mobo Music panel and New Deal for Musicians. She has a strong background in Urban Music. Building on backgrounds in education and the voluntary sector, Natalie has assisted in the development of successful music internship schemes in East London

James Gaitskill

young arts advisor and participant with Tiger Monkey UK. James is heavily involved with youth projects in his local community and is currently studying towards his NVQ in Youth Leadership as well as studying towards a National Diploma in I.T.

Andrea Rose

Amanda Smethurst

is Director of Development at Arts Council England, London. Amanda is responsible for a number of work areas including education and learning, London 2012 and working with local authorities. She has a background in visual arts, and has worked in the arts sector for over 15 years.